Is it Early American? Or Industrial Farmhouse?

My mama used to call it “Early American,” when she described her decorating style. Our home had items with a history: the old buttermilk pitcher from her Fallin Homeplace, the flat irons that were used in the family before electric irons, and an old clay pottery butter churn that Nanny Miller used in my father’s North Georgia home.

That churn sat by my parents’ fireplace as decor. We never made butter in it. It just sat there with the flat irons and the fire poker, looking “Early American.” So today, it sits by the fireplace in my house, as well. But I call it “Industrial Farmhouse.”

Warmth of Home
12×9

A hearth is sort of a strange place for a butter churn. Maybe Mama put it there because it was too big to go on a shelf. When I see the vintage items on my own hearth, I think of my childhood home, where I grew up with one brother and both parents. The earthy colored glaze brings a familiar warmth to this place.

Warmth of Home was painted from a sketch and photo of the scene around this gas-log fireplace in 2020. The gas logs have gotten us through a few snow storms with power outages here in Central Texas. And the churn has stood sentinel through it all.

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In Days Past
9×12

In Days Past  was painted from a photo I took in the Pioneer Village of Corsicana, Texas. The way the light was coming in the window caught my eye. And the desks reminded me of the ones my father had salvaged from his elementary school in Plainville, GA.

I played school on those two desks as a child, and later my grandson did the same. We have the desks, similar to these, after moving them across four states to Texas.

So, what would you call my decorating style?  Vintage, Antique, Farmhouse, or Early American?  When I remember items like these that hold memories, I call it Home. 

Both of these paintings are currently available at the Winnsboro Center for the Arts, Winnsboro, Texas through July 20, 2024.

Reminiscence

Reminiscence, 16×20 oil

Magnolia Trees! As I stood beneath the huge magnolias and breathed the scents of the South in this arboretum, the place took me back to memories in Georgia: the shade of the sturdy leaves that grew low in our Perry, GA yard when my sons were two and four; the trees that gathered around Sweetheart Circle on the GA Southern campus, watching students come and go; the ones that adorned every Southern home of more than fifty years of age in my hometown; and the ones that I saw scattered along I-16 with white blooms beaming in the Georgia sunlight! As I reminisced, not specifically, but with an overall general sweet feeling, I realized that I missed painting magnolias…and hydrangeas…and camellias and azaleas.

And yes, as a matter of fact, I do live near Waco, Texas –home to “Magnolia Silos” and such. But a single magnolia, planted in the yard of a newly renovated home has a long way to go to reach the heights and depths of these ancient magnolias of a more southern latitude.

You have seen me painting cacti and prairie grass and wildflowers in these latter years. And I am loving the varied perspective it brings to an artist to be in a new location. ( Be on the lookout for the next solo show – September 23 – November 4 – in Temple, TX. It is entitled “From the Ground Up!” and the paintings are all Texas inspired!)

This painting was just something I had to get out of my system. A painting of a magnolia, or a seagull on the coast, or a tree covered in Spanish Moss connects me to my roots. And I breathe deep and reminisce.

The Jumping Off Place!

…is not as scary as it appears to be.

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The Jumping Off Place
18×24 Oil

When I paint, I often have realizations which I feel come from God, as He uses visual imagery to clarify direction for me. And sometimes, those images are solidified by phrases popping into my head that I may, or may not, have heard before.

As I painted this scene, I thought of my Mama saying, “It looks like you are going to the jumping off place!” Now, where in the world was the Jumping Off Place? When I was a little girl, she would use this comment if we were on a treacherous road, unable to see beyond the horizon line, or moving into unknown territory. As a child, I pictured the Jumping Off Place as the very depths of hell!

This composition caught my attention because I like the way the yellow grass of a road is highlighted, yet appears to be leading, who knows where, against the vast Texas sky…perhaps, leading to the Jumping Off Place! The clouds are a bit ominous in the foreground but there is light ahead, even though one can’t see where it leads!

We have recently moved four states over from Georgia to Texas. My husband and I packed and pulled our remaining possessions over the highways to land here in the Waco area. Some thought we were going to the Jumping Off Place! We are excited about a new chapter in life. We are pleased as punch to live in the same area as our oldest son and his family! We are tickled to death to get to sit by our two grandsons in “big church”! I am giddy with joy to have a daughter-in-law nearby who enjoys art shows!

But, when I look out the window at the yellow path, I can hear Mama say, “Looks like you are going to the Jumping Off Place!” And I smile. Because, though it is has had some scary moments, there is something a bit exciting about the unknown of the Jumping Off Place.

After painting this, I found out that this old road leads to a gate, which opens to a state highway. And the state highway leads, in both directions, to interesting places filled with interesting people! For you see, every road leads somewhere! Often we need to stop and wait for direction, maybe paint a picture or two, as God speaks about what to do next. We will approach with caution, but anticipation, to see what lies ahead.

Even In A Storm

This post is for me, but you may read over my shoulder if you want to…

The day began with a flurry and a storm of activity!  I was vacuuming my floor at 7:30 a.m., anticipating prospective buyers to come through the house in the afternoon.  (Getting a house ready for realtors and sellers is not on my top favorites list.   But now the house was clean and orderly, to the point of me becoming obsessive about it. ) My husband was checking off items on the Honey-Do list I had given him.   The Weather Channel was stirring up panic in the minds of America about a hurricane that was predicted to run in forty directions and cause evacuations in three or four states.  I received a text inquiring if our house could be used for evacuation while we were gone, if needed.  And we were discussing our 1000 mile road trip with a UHaul, coming up in two days.

I could feel the tension in my neck. (Or maybe it was the barometric pressure from the storms brewing.)  But I knew for my sanity, and my husband’s sanity, that I needed to keep my Wednesday appointment to paint!

      

When I arrived at Sacred Heart Cultural Center in Augusta, the “Women on Paper” group I paint with, was already scattered around in places. And they were all looking up!?  So I did, too.

As I watched the billowy September clouds circling around the spires of the building, I relaxed.  I painted.  I pondered.  “Keep looking up.”  The words seemed to form in my head.  “Keep looking up, even when your world is unsettled with all the factors spinning this way and that.”  “Keep looking up, even in a storm.  God is so much bigger than you, your house, your life.  He is your Peace.”

   I found my mind moving from myself to all the friends who are in the predicted path of this Hurricane.  I wondered who might need to evacuate to our house that would be empty while we were away.  I listened to the angry sounds of busy traffic just on the outside of the hedge behind me.  I noticed the individuals who walked past on the sidewalks, with backpacks, a cup of coffee, and hungry eyes.  And I prayed.  I prayed, not that my house would sell, but that people would be safe, be fed, know Christ’s Peace.

I finished painting and left the group of women.  They had listened and responded with encouragement when I whisked into place with all my morning drama.  Friendships are gifts.  And now, with a renewed peace and attitude adjustment, I went about the rest of the day.

May I keep looking up, fixing my eyes on Him, who is steadfast and stable, my Strength in all storms.

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Keep Looking Up
8×8 Oil

 

 

Daily Provision

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Give Us This Day…
11×14 Oil
$140

I know hummingbirds don’t eat bread!  But, when I see them each morning outside the window, fluttering around as if they are afraid there will not be enough to eat, this phrase of a prayer pops in my head: “Give Us This Day…”

My husband feeds these hummingbirds every day.  They have been showing up every summer for about ten years.  And each year they bring their friends to the buffet!  This year the count is up to about forty at a time! (give or take a few blurs as you count)  They found the provision in these feeders yesterday, and they expect to find it again.

“Give us this day, our daily bread…”   This is the prayer Jesus taught his followers.   Day by day, God provides what we need. (Note to self – I said, what we need, as opposed to what we can store up in our homes and then have to clean out when it is time to move!)  God sent daily “manna” from heaven to His People in the wilderness.  Remember how it rotted when they tried to store it and save it?  God promised to send just enough for each day.   Day after day, we go back to the One whom we know will provide… and we bring our friends!

Looking Toward Texas

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Of Field and Firmament
24×30 Oil
$375

This painting came about after a recent visit with my son’s family in Axtell (outside of Waco), Texas.  I needed to paint it as confirmation that I could enjoy painting the landscapes there.  For you see, we are looking toward moving to Texas.  Yes, you read that right!

We are at the stage of life where one thinks about the future as one of the last chapters of one’s story (but hopefully a long chapter full of lots of action!).  Both retired from our careers, we have been searching for where God would lead us next.  So, without all the questions answered, we are remembering what Abraham did when God said, “Go.”

In the next months, we will be cleaning out, packing, selling, searching, settling and looking toward Texas.  Yes, we will miss Georgia.  Yes, we hate to say goodbye.  But adventure beckons and you can still follow me on Facebook!

I hope to be involved quickly in the Waco arts community.  There is a lot happening downtown with all the new energy created by Chip and Joanna Gaines, including new art galleries!

Steve, who always wanted to be a cowboy when he grew up,  is looking forward to using all those woodworking tools he has collected for years, in a western setting.  And we are both looking forward to being near Luke and his family, who have been Texans for over a decade.

If you need a painting from me before I leave Georgia, now would be the time!  I would rather sell it to you than try to pack them all.  Look on my webpage and give me a call.

Watch for updates as we look toward Texas!

 

 

 

 

From the Heart

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Painting from the Heart
24×30 Oil
$380

Most days I paint from life, 

Many days I paint from photos, 

Some days I paint from memory,

But, today, I painted from the heart!

Recently, I was in a discussion about “skill vs. talent.”  As an art educator, I’m all for training and acquiring skill!  We need to work at our skills to make them better.  Even talented people need to understand why they innately make art a certain way and how they can use that knowledge.  But talent is more about the way you are bent, the amazing things you do just because you are you.   While developing skill to make art is important, if there is no passion or emotion involved, skill doesn’t always speak.  And Art needs to speak!

You have heard musicians who are highly skilled.  They never miss a note, but their rhythm is so steady and notes so exact that it sounds like a robot is playing the piano!  But when you listen to a musician who slows down, or speeds up, or gets louder, or gets so quiet that you can hardly breathe… you could be moved to tears and whisper, “Now, that is talent!”

Maybe “talent” and “skill” are not the words you use to describe this phenomena.  Maybe it is the “art evokes emotion” theory.  However you describe it, I agree that if art does not elicit a response from others, it is in need of improvement.  (Notice I didn’t say to throw it away.  You can always learn how to improve!)

Painting from the heart happens best when there is no pressure to perform.  This “Painting from the Heart” began on a landscape that had been sitting in the corner of my studio.  It had made the gallery rounds and was a peaceful landscape, but did not really say anything.  No one was moved to tears.   So, to keep from wasting a perfectly good 24×30 canvas, I turned it vertical and spread Gesso over the middle.  Suddenly a vase of hydrangeas began forming in my head.  I got excited.  This was a day, after several days,  when I needed to paint something to process my emotions.

And as I painted, these words formed:

Most days I paint from life, 

Many days I paint from photos, 

Some days I paint from memory,

But, today, I painted from the heart!

This painting has served its expressive purpose for me as I painted.  Now, I would love to hear the reactions it may bring from you!

 

Stop and Smell the Gardenias!

Some days you just need to “stop and smell” the gardenias!!

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Stop and Smell
10×20 oil
$160

I know, I know,  I’m supposed to be focused on readying for ten kids in Art Camp on Monday.  My studio shows evidence of that.  I know, this painting hasn’t been commissioned and maybe no one will want to buy it.  So, what?

Some days you just need to  “stop and smell”… “be quiet and listen”…”be still and know.”

Every time I walk past the gardenia bush, I find myself slowing down, inhaling deep, and studying the soft petals.  I ponder what color is really in that white…how dark are the shadows?…are they tinted warm or cool?  And I thank the Creator God for his marvelous creation of gardenias.  And I feel happy and loved.  So today, I needed to paint that, as I spent a few hours in the quietness of worship in my studio.

Perhaps your avenue of “stopping and smelling” is not with paint.  It might be in playing with a child,  reading a book, writing your thoughts, petting a cat, watching birds, going for a walk, sewing or baking, maybe even taking a nap… As it says in Ephesians, “in all things, give thanks in the name of our Lord Jesus to God.”  We do.

 

A Seat for Sunset

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A Seat for Sunset
8×10 Oil
$120

“I come down here every evening,” he told me.  “I come with my drink and watch the sunset.”

I had been painting the swing and the tree en plein air, after a full day of learning at Plein Air South.  As I painted, this gentleman took a seat on the swing.  It didn’t seem to bother him that I was looking his way.  I took a photo of him to use as a reference later.

The end result that day was disastrous.  I was ready to wipe the oil paints off.  But the artists with me encouraged me to leave it and look at it later.  The gentleman came over to see if he was painted into the scene.  He was not especially impressed…and neither was I.

The next afternoon I got busy painting sky and water and thought no more about the panel tucked into my wet canvas carrier in the car.

The third day, I sat in James Richards’ two hour session about Abstraction in Landscapes.  I learned so much just watching him paint.  As he started his painting with BIG shapes of dark and light values in random colors, he suggested that we simplify shapes by painting OVER too much detail and bringing it back to an abstracted form.   I remembered the painting of the landscape with the swing and knew what I needed to do to fix it.

As soon as the session was over, I drove my car back to the waterfront.  There was the empty swing, hanging from the curving tree.  I spread red paint over the top portion and yellow on the bottom.  I began defining the abstract shapes of lights and darks and masses were formed.  Reminding myself to stay loose and abstract, the scene developed.

On cue, at 5 p.m., the man came back out with his cup in his hand.  We talked of painting (he thought this one was looking better), of Georgia (he was from Moultrie), of mutual friends, of careers, of life choices, of faith, of retirement and old age.  The time came for me to pack up to get to dinner on time.   I planned to put the swing in later from the photo.

Back in my studio, I added the swing and since I had a photo reference, added my new friend, Mr. Lowery.  It would not have been the same without him there.  After all, it is “his” swing — his seat for sunset.  May he enjoy many more of them!  And I hope he sees this post!

 

It Stopped Raining and WOW!

I’m in Port St. Joe, Florida this week for Plein Air South:  a gathering of artists who paint outside and a faculty of ten or twelve of the best contemporary plein air artists I know of, from which to learn!  It has been raining all day and many of the outside activities had to move inside.  But this afternoon, the rain stopped.  The sky cleared and the clouds and colors were amazing!

melaniestokesart.com

After observing all morning, I was ready to paint.  I went out by myself to find a pavilion (just in case another shower passed over) and painted until sundown.  What a great time to be a plein air painter!

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Catching Anything? 9×12 oil $125

Study of Water and Sky 9×12 oil

The smaller pictures are photos.   A highlight of the afternoon was seeing both ends of the rainbow that appeared.  The three fishermen, the couple on the pier, and myself, were brought together to share the moment of adoration and wonder.

The atmosphere was crystal clear as the setting sun illumined the earth and sky.

 

As I drove back toward Mexico Beach and the rental house, I pondered why I love painting outside.  It’s not just the finished painting, it’s definitely the process.  Painting from life causes me to be acutely aware of all my senses.  Not just seeing and touching, but feeling the breezes, hearing the birds, smelling the fish.  And yet, feeling so small against a huge backdrop of life.  It is a time of worship of the almighty Creator God and admiration of His art.  Amen.